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盖中国画道美学强调“骨法用笔”,而骨法者素以中锋圆融、侧锋妍美,而传世、而著称。凡中国大画家均传承比道、亦弘扬此道。崔如琢先生作为当代传统花鸟画领域的领军人物之一,自然与必然是一位“骨法用笔”端伟的传承者并创新的传薪者。唯此方能承前启后,继往开来;唯此方能钩斫有法,运行有度;唯此方能“反虚入浑,积健为雄”(司空图句)。崔如琢先生善于以“篆魏”书法入画,这便是由中国画最根本的理法进入中国画
Cover Chinese painting aesthetics emphasizes “bone with pen”, and osteoporosis known as the center of harmony, side-wing Yan Mei, and handed down, and known. Where large Chinese painters are more than Tao, but also promote this. As one of the leaders in the field of contemporary flower and bird painting, Cui Ruzhuo naturally and inevitably is an innovator in the transmission of wages by using the brush of Duanwei. Only this side can be inherited, the future; only this side can hook law, run a degree; only this side can “deconstruct the muddy, Ji Jian is male” (Sagong diagram). Cui Ruzhuo is good at “calligraphy seal Wei” calligraphy into the painting, this is the most fundamental approach to Chinese painting into the Chinese painting