浅谈古代的工艺美术中重复的表现形式再现

• 作 者: 王卡兰
• 机 构: 湖北襄樊职业技术学院,
• 出 处: 艺术与设计(理论)
• 发表日期: 2007年04期
• 关键词: 美的和谐 重复的形式 继承和发扬 工艺美术 儒家思想 审美观念 主客统一 整体意识 美学观念 华夏文化

传统的儒家思想中主客统一的整体意识和“求全美满”的美学观念根深蒂固,“善始善终”以及“物我同一”的审美观念,在艺术的表现形式上就以重复的构成形式为主,反映了至善至美的本质以及民族特有的文化内涵。优秀的文化、多样的形式、是继承发扬传统艺术的根源。

In the traditional Confucianism, the overall sense of unity of subject and object and the aesthetic idea of ​​“seeking perfection and perfection” are deeply rooted. The aesthetic concepts of “beginning and ending with goodness and beginning with ending with being good” and “the same thing with each other” are mainly composed of repeated forms in the artistic expression form, The nature of perfection and beauty and the unique cultural connotation of the nation. Excellent culture and diverse forms are the roots of inheriting and promoting traditional arts.