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一、理论背景 当代公共建筑室内设计中,有一种非理性、个性表现流派。它源自本世纪初的德国表现主义及有机表现论。而表现主义以第一次世界大战前夕不安的社会为背景,成熟于1910年前后并一直延续至20年代中期。尼采的非理性哲学为其精神背景,体现了人们对创造性积极、强烈的追求。德国的R·斯坦纳倡导一种新的建筑风格,“把静态几何学原理变成设计和造型的生动手法”。他推行一种创造建筑环境的方法,即把不相关的建筑各部分组合在一起而最终产生一种共同的、和谐的、十分生动的整体。他的思
First, the theoretical background In the contemporary public building interior design, there is a irrational, personality performance genre. It originated from the German expressionism and organic expressionism at the beginning of this century. The expressionism, based on the uneasy society on the eve of the First World War, matured around 1910 and continued until the mid-1920s. Nietzsche’s irrational philosophy is its spiritual background, which reflects people’s positive and intense pursuit of creativity. Germany’s R. Steiner advocated a new style of architecture, “transforming the principles of static geometry into a vivid approach to design and modeling”. He promotes a method of creating a built environment that combines the parts of an unrelated building together to produce a common, harmonious, and very vivid whole. His thoughts