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写得一手好字！这是我们翻阅古人留下来的笔迹文本时,常常要发出的赞叹。在这个与文房四宝相伴的漫 长时代,不会纵笔挥毫,让人难以理喻。 文人中不乏豪情万丈的书家,不甘心于在静态中写些篆、隶、楷,他们的心绪跃动不宁,渴求有与之相适应的书体。草书的出现,使这些激情不可阻遏的书法家,找到了宣泄的缺口,像壮士在汗血马的背上,纵横驰骋于六合八荒。
Write good handwriting! This is a compliment that we often make when we read through the handwriting texts left by the ancients. In this long period of time accompanied by the four treasures, it will not be exaggerated and unreadable. No shortage of literati lofty books, not willing to write some seal in the static, Li, Kai, their mood was restless, craving for a suitable book body. The emergence of cursive books, these irresistible calligrapher, found a catharsis gap, like a strong man in the back of the sweaty horse, maneuvering in six levees.