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本文比较系统、详实地松述了近十年来文艺反映论一方面在哲学层次上接受了文艺主体论、文艺本体论、文艺价值论、文艺实践论与生产论的挑战，另一方面又通过深刻内省，在“反映”概念、审美反映心理及艺术媒介三方面实现了较大的理论突破，从而维护了自身在有中国特色的马克思主义文艺理论体系建设中的重要地位．同时强调，文艺反映论只有不断克服自身缺陷，并在进一步论争中博采众长，锐意创新．才能不断完善，为建设辩证、科学的社会主义文艺学作出更大贡献．
This article gives a more systematic and detailed account of the ten years that the theory of literary and art reflexions has, on the one hand, accepted the challenge of subject of literature and art, the theory of literature and art ontology, the theory of value of literature and art, the theory of literary practice and the theory of production on the other hand, The province has achieved a large theoretical breakthrough in the concepts of “reflection”, the psychology of aesthetic reflection and the art media, thus safeguarding its important position in the construction of the theoretical system of Marxist literary theory with Chinese characteristics. At the same time, it is stressed that the theory of literary and art reflections only overcomes its own shortcomings continuously and draws upon others in a further debate and is determined to innovate. Only in this way can we continuously improve and make greater contributions to the construction of a dialectical and scientific socialist literature and art.