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中国的戏曲是一种非物质形态的传统文化,而川剧折子戏作为一种地方戏剧,早在2006年就纳入国家级非物质文化遗产目录,在传统戏曲中具有较强的代表性。但是随着现代社会飞速发展,传统的戏曲仿佛被抛在了时代车轮的后面,在艺术形式选择多元化的今天,现代人越来越多地将传统戏曲文化抛在身后,传统戏曲被遗忘在了历史的尘埃中。因此,发展和传播传统戏曲文化迫在眉睫。基于此,本文浅谈了传统戏曲在高校中普及传播的方式路径,并以川剧进校园为例,用理论结合实践进行切入,希望参与学习的学生在充实自身的同时也自觉受到感染,成为民族文化的传承人,推动传统戏曲的普及传播。
Chinese opera is an immaterial traditional culture. As a kind of local drama, the Drama Drama of Sichuan Opera was incorporated into the catalog of state-level intangible cultural heritage as early as 2006 and has strong representativeness in traditional opera. However, with the rapid development of modern society, the traditional drama seems to have been thrown behind the wheels of the times. Nowadays, with the diversified artistic forms, modern people are increasingly leaving traditional opera culture behind and traditional opera is forgotten. In the dust of history. Therefore, the development and dissemination of traditional opera culture is imminent. Based on this, this article discusses the ways and means of popularizing traditional operas in colleges and universities. Taking Sichuan Opera into the campus as an example, the author attempts to combine theory with practice, hoping that students who participate in learning can feel themselves infected and become national Cultural successor, promote the spread of traditional Chinese opera.