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国家性的大型艺术展在经历了二十世纪后半叶的巨大变革后呈现着新的概念,但也面临着全球资本主义时代新的挑战。 作为世纪末中国最后一个国家性大型艺术展,全国美展在隆重的国家盛典之时拉开了帏幕。雕塑无疑是这场艺术盛会的主角,中国美术馆因为有了雕塑主场而变得凝重、深沉,充满历史回味又不乏风情。这一感受性除了来自中国九十年代末奇特而又不可思议的后政治社会文化背景外,
National large-scale art exhibitions present new concepts after undergoing tremendous changes in the second half of the twentieth century, but they are also facing new challenges in the era of global capitalism. As the last national large-scale art exhibition in China by the end of the century, the National Art Exhibition opened its curtain during the grand national festival. Sculpture is undoubtedly the protagonist of this art event, the Chinese Art Museum has become dignified because of the sculpture home, deep, full of historical aftertaste yet lacking in style. In addition to this feeling from the peculiar but incredible post-political social and cultural background of China in the late 1990s,