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在中央文化部、中国戏剧家协会和北京市文化局共同召集的首都戏曲界的戏曲工作座谈会上,就进一步贯彻执行戏曲的百花齐放、推陈出新的方针问题,展开了讨论。讨论涉及到目前戏曲界所关心的一系列问题,其中包括对于推陈出新方针的认识和态度问题,对于传统剧目中封建性、人民性的理解问题,对于鬼戏的看法问题,对于历史剧古为今用和表现时代精神的理解问题,以及舞台艺术革新中的问题。这些问题的深入讨论,无疑地将有益于戏曲工作的进一步发展。本刊为了有助于这一场讨论的开展,本期继续发表上述各种问题的资料、座谈会上的一部分发言和文章,使各种不同意见得到交流和讨论,希望全国戏曲工作者、文艺工作者和观众热烈参加。
During the symposium on opera work in the capital’s drama circles jointly convened by the Central Culture Department, Chinese Dramatists Association and Beijing Municipal Bureau of Culture, discussions were held on further implementing the policy of giving full play to the drama and bringing forth new ideas to the opera. The discussion involves a series of issues of concern to the current drama community, including understanding and attitudes toward the introduction of new approaches, feudal and popular understanding of traditional repertoire, perceptions of ghost drama, Spiritual understanding of issues, as well as the stage of artistic innovation problems. In-depth discussion of these issues will undoubtedly benefit the further development of opera work. In order to contribute to this discussion, this issue continues to publish information on the above issues and some speeches and articles at the symposium so as to enable all kinds of opinions to be exchanged and discussed. We hope that all national opera workers, Workers and spectators participated enthusiastically.