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本文对陈多先生的学术思想进行了概括性的梳理、评议,认为陈多先生理论研究的精义可以归纳为:“疑”、“思”、“辩”三字,并贯穿于三个主要论题中:“演剧”、“文学”与戏剧的关系;“舞台性”与戏剧作品批评;“民众化”与戏剧的命运。对于戏曲的演剧以及歌舞表演特性的重视是陈多先生学术研究的基础,并以此线索来书写中国戏剧的演进历史。从这种演剧本性出发,陈先生将是否适应舞台演出作为对历代戏剧作品展开艺术批评的重要标尺,并强调戏剧不应脱离民众的审美趣味,才有可能获得持续的生命力。
This article summarizes the academic thoughts of Mr. Chen Duo, and concludes that the essence of Mr. Chen Duo’s theory research can be summarized as: “doubt”, “thinking” and “defense”, and runs through the three major The topic: “drama”, “literature” and the relationship between drama; “stage” and criticism of drama; “popular” and the fate of drama. The emphasis on the opera’s drama and song and dance performance is the foundation of Mr. Chen’s academic research. With this clue, he wrote the evolution history of Chinese drama. From this acting nature, whether Mr. Chen will adapt to the stage performance as an important criterion for the art criticism of the ancient drama works and emphasizes that the drama should not get out of the aesthetic taste of the public would make it possible to obtain sustained vitality.