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不久前,看到一则消息:著名青年批评家吴亮对小说《告别绿蓝》提出批评后,丁胜著文公开进行反批评。《文汇读书周报》将两文同时刊出。几家颇有影响的大报纷纷予以转载,一时传为佳话。本来极为正常的事何以如此令人刮目相看?“物以稀为贵”也。 从文坛我想到了影坛。几年来影坛的繁荣昌盛有目共睹,尽管也滋生了相当一批“平庸之辈”。伴随着这繁华盛景,蜂拥而起了“不可一世”的专业的和业余的电影评论,其观念之新颖、思维之敏捷、言辞之犀利,文笔之璀璨、见解之深刻,足以令影坛震惊。钟惦棐的《谢晋电影十思》以及“关于谢晋模式的讨
Not long ago, when I read the news that the famous young critic Wu Liang criticized the novel “Say goodbye to green and blue”, Ding Sheng published an open anti-criticism. Wen Wei Book Weekly will publish both articles at the same time. Several influential newspapers have been reproduced, sometimes pass as a story. How could it be so impressive to see a very normal thing? I think of the film from the literary altar. The past few years the prosperity of the film for all to see, although it also breeds a considerable number of “mediocre generation.” Accompanied by this bustling scene, flocking from the “unsurpassed” professional and amateur movie reviews, its novel ideas, quick thinking, sharp rhetoric, brilliant writing, profound insights, enough to shock the film . Zhong 惦 棐’s “Xie Jin movie is thinking” and "on Xie Jin mode of discussion