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赵孟頫(1254—1322),字子昂,号松雪、水晶宫道人等。他在位为高官的同时,更是一位非常富有思想见地的画家。在书法、诗文、音乐、鉴赏、考据等方面都有很高的造诣。在绘画方面,人物、山水、花鸟走兽等题材无所不能,在技法方面更是兼备“工”“写”两种风格;在绘画理论方面提出“贵古”主张,对元代的绘画发展产生了深远的影响,水墨花鸟画风格在元代的风行与他的“贵古”思想有着密切的关系。元代文人画的思想的进步发展,引导了花鸟画家的艺术实践,
Zhao Mengfu (1254-1322), the word Zi Ang, No. Song Xue, Crystal Palace and others. At the same time as a senior official, he is also a very thought-rich painter. In calligraphy, poetry, music, appreciation, test and so has a high attainments. In terms of painting, people, landscapes, birds and animals and other topics omnipotent, in terms of technique is more than “workers ” “writing ” two styles; in painting theory put forward The development of painting in the Yuan Dynasty had a profound impact. The style of ink and wash painting and calligraphy in the Yuan dynasty was closely related to his thought of “ancient and ancient”. The progressive development of the thought of literati painting in the Yuan Dynasty has guided the artistic practice of flower and bird painters,