诗人的位置与诗歌的源头

• 作 者: 胡弦
• 出 处: 星星(上旬刊)
• 发表日期: 2015年10期
• 关键词: 隐性状态 定距离 一本

春日渐暖,我恢复了晚间散步的习惯。有时在一些僻静的地方,我留意到有蟋蟀在叫。只闻叫声,不见蟋蟀。要仔细听,才能知道蟋蟀的大体位置。我有时会停下脚步,静静地听一阵,并感觉到,相比于诗人,蟋蟀的存在方式也许更高明,因为他只愿意呈现它的声音,自己却并不出场。写诗,是否就是一直在发出叫声呢?蟋蟀的叫声,听上去很单调,但它乐此不疲。也许,在一件单调的工作上才能

Spring is getting warmer, I resume the habit of walking in the evening. Sometimes in some secluded places, I noticed crickets are calling. Only heard cry, no cricket. Listen carefully to know the general location of the cricket. Sometimes I stop and listen quietly for a while and feel that cricket may be more brilliant than a poet because he is only willing to present its voice but not himself. Writing poetry, whether it is always making a cry? Cricket sounds, it sounds very monotonous, but it never bored. Perhaps, in a monotonous work