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即使中国银幕以每天4.3块高速递增,但于年产量500多部的国产电影而言,还是太少,由此,档期择选对于大片事关成败,对于小片则是事关生死。如何能在密密麻麻的档期中突围,这也成了摆在无论大片还是小片面前共同的话题。在貌似繁荣的中国电影市场上,观众已很豪气地认为:“大片不过个亿似乎都拿不出门来了”。但是,2010年由吴宇森监制、苏照彬导演,杨紫
Even if the screen of China increases rapidly by 4.3 pieces per day, but it is still too small for the domestically-produced films with an annual output of more than 500 units. Therefore, the selection of schedules for success or failure of large-scale films and the small-scale films are matters of life and death. How to break through in a crowded schedule has become a common topic in both large and small films. In the seemingly prosperous Chinese movie market, the audience has been very proud to say: “The blockbuster but a million seems to be unable to get out”. However, in 2010 by John Woo producer, Su Zhaobin director, Yang Zi