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在美术的发展长河中,不同时期的艺术家借助人文思维而创作的图像所带有的当代人文精神是美术史的研究重心之一。比如作为纯洁象征的女性人体,作为春天象征的百花绿叶,作为精神境界象征的高山峻岭,以及作为坚贞友谊象征的岁寒三友。当然在20世纪的中国,这种图像与人文象征关系在新的文化环境下得到了进一步发展:作为新农业的拖拉机,作为大工业崛起的林立烟囱、机车头,等等等等,不一而足。在这种种图像与社会文化的象征关系的建构中,朱乃正先生(1935-2013)在他一生中所创作的众多作品中,以“砍头柳”
In the long history of art development, the contemporary humanistic spirit brought by the images created by artists in different periods with humanistic thinking is one of the focuses of art history research. Such as the female body as a symbol of purity, the greenery as a symbol of spring, the mountainous mountains as a symbol of spiritual realm, and the old and new year-old friends who are symbolic of friendship. Of course, in the twentieth century China, this relationship between image and humanities has been further developed under the new cultural environment: tractors as new agriculture, forest chimneys that rise as large industries, locomotives, etc. foot. In the construction of the symbolic relationship between these kinds of images and social culture, Mr. Zhu Nai-zheng (1935-2013), among the many works created in his life,