论文部分内容阅读
受越秀区博物馆的委托,广州市文物考古研究所承担了越秀区博物馆馆藏陶马、十二生肖羊首俑、双龙青白釉壶、吉州窑酱釉盏、影青小瓶、四系壶和清霁蓝釉开光粉彩花鸟纹瓶共七件陶瓷器的保护修复工作。对七件陶瓷器病害情况进行细致的调查、进行图像采集,依据国家文物局颁布的《陶质彩绘文物保护修复病害与图示》绘制相应的病害图,根据《陶质彩绘文物保护修复方案编写规范》编制规范保护修复方案,对七件陶瓷器的科学、艺术、历史价值内涵揭示和认知的基础上制定加固、清洗、粘接、封护、补全的保护修复步骤。保护修复中将科学的保护方法与传统的修复技术相结合,同时按照《陶质彩绘文物保护修复档案记录规范》要求将保护修复的全过程做记录。成功地保护了病害严重的七件陶瓷器,恢复了它们原有的风貌,使其历史、艺术价值得以充分体现。
Commissioned by the Yuexiu District Museum, Guangzhou Institute of Cultural Relics and Archeology assumed the Yuexiu District Museum collections Pottery, Zodiac sheep head figurines, Ssangyong Qing white-glazed pots, Jizhou kiln glaze, Yingqing vials, Blue glaze open pastel flowers and birds bottle a total of seven pieces of ceramic protection and repair work. The seven pieces of porcelain disease situation detailed investigation, image acquisition, according to the State Administration of Cultural Heritage promulgated the “Taoist painted artifacts protection and repair disease and icon” to draw the corresponding map of the disease, according to “painted ceramic artifacts preservation and restoration program Standardize ”the preparation of standardized protection and restoration program, the seven pieces of porcelain science, art, historical value of the content revealed and cognitive based on the development of reinforcement, cleaning, bonding, sealing, complement the protection and repair steps. In the process of protection and restoration, the scientific protection method is combined with the traditional restoration technique. At the same time, the whole process of protection and restoration shall be recorded in accordance with the requirements of the “Code for Recordkeeping and Restoration of Ceramic Paintings and Objects for Protection and Repair”. Successfully protected seven serious porcelain, restore their original style, so that its historical and artistic value can be fully reflected.