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世界太嘈杂了,灵魂无处安身。一个无法容留灵魂的时代,语言是多么的多余和可笑。还不如回到默片时代,只用肢体、眼神与音乐给这个世界做些交代。在“默片系列”作品中,我把理想、追求从画面里剔除出去了。甚至把年轻时饱含对历史的记忆、倾诉与预言的艺术梦想也拿走了。把色彩拿走,把构图与透视也拿走。——在“默片系列”中抒情的最好方式,就是去成为这个灰度空间中的一粒合格的黑子。世界不断地在给我们加压,我的反抗,就是用画笔,给世界,尤其是给自己做一些减法。只
The world is too noisy and the soul is nowhere to go. An age that can not accommodate the soul, the language is superfluous and ridiculous. Not as good as back to the silent film era, only the body, eyes and music to explain to this world. In the “silent film series” works, I put the ideal, the pursuit of excluded from the screen out. Even the youth, full of memories of history, talk and predictions, the artistic dream was taken away. Take the color, the composition and perspective are also taken away. - The best way to lyrical in “Silent Series” is to become a qualified sunspot in this grayscale space. The world is continually pressurizing us. My resistance is to use a brush to make some subtractions to the world, especially to ourselves. only