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在中日邦交正常化25周年之际,我应邀赴日访问在日本参观了多种美展。东方的、西方的,古代、近代、现代的。在这流派林立,多元文化并存的格局中,美籍华人画家丁绍光的个人画展引人瞩目。“丁绍光画展”给我的突出印象有“三多”:参观的观众多;买画册、购作品排队的人多;原作已售罄预订复制品者多。这“三多”景观在经济不景气的日本显得特别耀眼。成为值得分析、研究的国际文化现象、
On the 25th anniversary of the normalization of diplomatic relations between China and Japan, I was invited to Japan to visit a variety of art exhibitions in Japan. Oriental, Western, Ancient, Modern, Modern. In this lush, multi-cultural coexistence pattern, the Chinese painter Ding Shaoguang’s solo exhibition attracted people’s attention. “Ding Shaoguang Painting Exhibition” gave me a prominent impression of “three more”: the audience to visit more; buy albums, purchase works queuing more people; the original is sold out book replicas and more. This “three more” landscape is particularly dazzling in a downturn in Japan. Become an international cultural phenomenon worthy of analysis and research,