论文部分内容阅读
我的老师张仃,1957年“反右”后,从中央美术学院国画系调到中央工艺美术学院当院长。在大家心目中,他是一个左派画家,威望很高。同时,张光宇先生也调到学校任教,他们本是志同道合的老朋友,如今联合教学,打出民族艺术、民间艺术的旗帜,以对抗以苏联契斯恰柯夫为代表的写实主义,在中国形成了“装饰”流派。1956年,我进了中央工艺美术学院装潢系,后来正好赶上了这两位老师在装潢系教学。我成长在这个环境里,耳濡目染,潜移默化,渐
My teacher Zhang Ding, 1957 “Anti-Right ”, transferred from the Central Academy of Fine Arts Department of Painting transferred to the Central Academy of Arts and Technology as dean. In everyone's mind, he is a left-wing painter with high prestige. At the same time, Mr. Zhang Guangyu also transferred to the school to teach, they are like-minded friends, and now the joint teaching, playing the banner of national art, folk art to confront the realism represented by Cescakov in the Soviet Union, formed in China The “decoration ” genre. In 1956, I went to the decorating department of the Central Academy of Arts and Crafts and later caught up with the two teachers in decorating. I grew up in this environment, monasteries, subtle, gradually