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风景,之于现代喧嚣的都市丛林,让我体验得更多的似乎是一种忘却。冬去春来,花开花谢,在奔波忙碌的生活节奏中,在无心他顾却又思绪繁杂的情景里,无迹可寻。南北朝的王微在《叙画》中所言“望秋云,神飞扬;临春风,思浩荡”的情致已经幻化为一种无端的怀念。细读唐人《卢鸿草堂十志图》,画中草堂、倒景台、樾馆、枕烟庭、云锦淙、期仙磴、涤烦矶、罩翠庭、洞元室、金碧潭十景,谓之“玄居十志”。作者意在状物写景,却流露满纸的朴拙生趣。都是些寻常的生活起居,独自小酌或者三两好友品茗,身旁的树丛,俯首间的小溪。在这山林之间,再现着每一次的晨光微明时的朦胧与午后小憩般的恍惚。图录般的小画中用笔运墨严谨而诚恳,不疾不徐,不骄不作,
The scenery, in the modern bustle of urban jungle, let me experience more seems to be a forgotten. Winter to spring, flowers flowering Xie, rushing busy life rhythm, inadvertently he care but thoughts complicated situation, no trace to be found. Wang Wei in the Northern and Southern Dynasties in the “Narrative” in the words “Wang Qiuyun, God flying; the spring breeze, thinking mighty ” has turned into a nostalgic miss. Read the Tang Dynasty, “Lu Hongcao ten map”, painting the cottage, the inverted platform, the museum hall, pillow smoke court, Brocade 淙, period fairy 涤, Di Cuanjiu, cover Cui Ting, Dong Yuan room, Jinbi Tan ten, That the “mysterious home ten”. The author intended to shape the scene, but reveal the simple pleasures of life. Are some unusual living, drinking alone or three two friends tea, beside the trees, overlooking the stream. Between the mountains and forests, each time the twilight morning twilight dim and trance-like trance. Pictorial like a small picture ink pen with ink rigorous and sincere, not cautious, not arrogant,