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一高小岩先生九岁即已跟随父亲学习书法,以魏书《张猛龙碑》启蒙,继而临写《龙门造像》、《张黑女墓志》、《郑文公碑》等,晚年始习《崔敬邕墓志》。在学习魏碑的同时,他自十二岁便开始临习汉隶名碑,其中《史晨碑》、《礼器碑》、《乙瑛碑》、《华山庙碑》《曹全碑》、《张迁碑》等,他都下过苦功临摹。至老年,他又临写《石门颂》。数十年锲而不舍地临写学习,使他对传统书法有着深刻的理解与认识,但他的目光绝不仅仅徘徊留驻于
Mr. Gao Xiaoyan, who was nine years old, had studied calligraphy with his father and enlightened with Wei Shu “Zhang Menglong monument”, then wrote the “Statue of the Longmen”, “The Tomb of Zhang Black Woman” and “Zheng Wengong Monument”邕 epitaphs. “ While studying Weibei, he has been studying the Han emperor’s tablet since the age of twelve, among which ”History Monument“, ”Monument to Ceremonial Instruments“, ”B Ying Monument“, ”Huashan Temple Monument“, ”Monument to Cao Quan“ ”Zhang moved monument“, etc., he has been painstaking copying. To old age, he again wrote ”Ode to Shek Mun." Decades of perseverance Pro write learning, so that he has a profound understanding of traditional calligraphy and understanding, but his vision must not only stay in the