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毕加索是一个追求不断创新艺术手法的艺术家,因此他的画风多变。1973年毕加索与世长辞,可他留给世人许多瑰宝。其画作常常在艺术界掀起新潮流或者争论,他画作中最受争议的便是他的立体派作品,他的立体派作品似乎有悖常识,但又有独特的思想内涵。因此本文试从一个新的视角去欣赏他的立体派画作,以此获得一种与众不同的审美体验。首先本文分析他反传统的立体主义艺术表现手法与现象学之间的联系,其次试从现象学的角度去分析他的画作,重点分析他的立体派代表作品《亚维农少女》,最后总结现象学对艺术家及艺术审美者的重要意义。
Picasso is an artist who pursues the constant innovation of artistic techniques, so his style is changing. Picasso died in 1973, but he left the world many gems. His paintings often create new trends or controversies in the art world. The most controversial part of his paintings is his Cubist works. His Cubist works seem to have perverse knowledge, but they also have unique ideological connotations. Therefore, this article tries to appreciate his Cubist paintings from a new perspective, in order to obtain a distinctive aesthetic experience. First of all, this article analyzes the relationship between his anti-traditional Cubist artistic expression and phenomenology. Secondly, it attempts to analyze his paintings from the phenomenological point of view, focusing on analyzing his Cubist representative work “Avignon” and concludes with a conclusion The Significance of Phenomenology for Artists and Aesthetic Appreciators.