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作为词学批评的一种新样式,盛于明清之际的词集评点虽有“标榜声气”之嫌,遭后世诟病,但它赖以盛行的一个重要动因,在于评点者振兴词坛的强烈欲望。它在功能上,与词人的创作实践有极强的互动性,引领词坛中兴;同时使众多评点者的词学观点得以发表与传播,也使词作者的地位与声誉通过评点得以张扬与提升,是词坛中兴的重要一环。它在内容上,不仅呈现出词学的原生状态,存有其他文献所没有的第一手的词坛文献资料,而且具有具体性、生动性和多元性的特征,蕴含极为丰富的词学思想。明清之际的词集评点既推进了明清之际词学理论的建构,具有重要的理论意义;又在词学主张、词人创作、词学文献等方面具有多元认识价值。
As a new style of Ci-poetry criticism, the Ci poetry criticism in the time of the Ming and Qing Dynasties was criticized by later generations although it is suspected of being “advertised”, but one important reason why it prevailed was that the reviewers revived the Ci Strong desire. It is functionally and strongly interactive with Ci writer’s writing practice, leading the altar ZTE. At the same time, many critics’ viewpoints of Ci-poetry can be published and disseminated, and the author’s position and reputation can be publicized through comments Ascension, is an important part of the altar ZTE. In its content, it not only shows the original state of Ci-poetry, but also has the first-hand literature of the altar that other literatures do not have, and it has the characteristics of concreteness, vividness and pluralism, . The commentary on lexicon in Ming and Qing dynasties not only promoted the construction of Ci-poetry theory in the Ming and Qing dynasties, but also had important theoretical significance. It also had multiple cognitive values in Ci-poetry proposition, poet creation and Ci-poetry literature.