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导论:传统社会形态下的中国,封建思想根深蒂固,男尊女卑现象明显,女性在当时非常不受重视。但随着时代的发展,思想的解放,女性在社会中的地位逐渐提高,女性主义也从西方被引进到了中国。女性主义的引进,使导演们开始把注意力投入到女性题材的影片上,女性主义在影视剧作品中也得到了突出体现。本文从女性视角出发,通过对电影《南京!南京!》、《一九四二》、《胭脂扣》以及《杜拉拉升职记》中不同女性角色的分析,分别体现
An Introduction: China under the traditional social conditions has a deeply rooted feudal ideology. The phenomenon of male superiority and inferiority is obvious. Women were not given much attention at that time. However, with the development of the times and the liberation of ideas, the status of women in the society has gradually increased. Feminism has also been introduced from the West into China. The introduction of feminism, the director began to focus on female themes in the film, feminism in the film and television drama has also been highlighted. From the perspective of women, this article analyzes the different roles of women in the films “Nanjing! Nanjing!”, “1942”, “Rouge Button” and "