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关于绘画艺术的议论,曾动手写过,也读过。刊发出来的字字行行,自己读起来总觉得不知道是为了作品解释自己,还是为了作品启发别人。“文章语录”多半是上不封顶,下不着地。读得放松时,索性把自己连同画坛大师们一起裹了进去,显得深厚地体验过艺术。 转而,一旦走进自己的画室摆弄起颜色材料,在画布上寻找些什么感觉的时候,有一种过癌的劲头似乎达到诡秘的程度。许多关于绘画的思路、观念,或传统,或现代,全部忘得一干二净了。前段时间,在一个讨论会上,我把这种感觉讲给一位朋友。他也有
The discussion on the art of painting has been written and read. Published word line, read their own always do not know for the work to explain their own, or to inspire others for the work. “Quotations,” most of them are not capped, unable to cope. When I was relaxed, I simply wrapped myself in with the masters of the painting and looked deeply into the art. In turn, once you get into your own studio to get color materials and look for something on the canvas, there’s a kind of overcrowding that seems to reach the level of secrecy. Many of the ideas, concepts, traditions, or modernity of painting are completely forgotten. Some time ago, in a seminar, I told this feeling to a friend. He also has