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清末民初(约1895—1923年)政治鼎革,文化剧变,人伦礼俗也随之发生了深刻变化。该书系统地梳理了近代精英思想与礼俗变迁的辩证关系。作者一方面从孝道、贞节观念和社会礼俗等层面,多角度地研究了五四新观念的确立、传播及其局限;另一方面以此时的主要文化娱乐为个案,从社会文化史视角考察了清末民初的京剧繁荣、商业化和坤角走红现象,并分析了“剧以载道”的思想转变。
At the end of the Qing Dynasty and the beginning of the Republic of China (circa 1895-1923), political leather revolution, dramatic cultural change, customs and practices also followed profound changes. The book systematically combs the dialectical relationship between modern elite thought and the change of etiquette. On the one hand, the author studies the establishment, dissemination and limitation of the May Fourth new concept from the aspects of filial piety, chastity and social customs, and on the other hand takes the main cultural entertainment at this time as an example to examine it from the perspective of social cultural history It clarifies the prosperity, commercialization and popularization of Peking Opera in the early Republic of China and the early Republic of China, and analyzes the change of thought of “play to carrier”.