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在远古社会,原始人在狩猎和巫术等活动中,就开始使用舞蹈和音乐等手段来表达自己的内心愿望。从夏商两代开始,乐舞已经逐渐脱离原始氏族舞蹈的特点,逐渐由原始图腾崇拜,转变为对人类征服自然的歌颂。进入封建社会,舞蹈音乐有了较大的发展,宫廷舞蹈音乐是这一阶段舞蹈音乐专业水平的代表之一,其中以唐宋时期发展最快。唐代宫廷舞蹈继承、吸收、创新并不断突破,充满内在的活力,样式全、种类多、分类细,是历代不可比拟的。而宋代形成的独立歌舞剧体系,是中国宫廷舞蹈发展历程的又一高峰,高度的城市化标志着
In ancient society, the primitive people began to use dance and music to express their inner wishes in such activities as hunting and witchcraft. Beginning from the Xia and Shang Dynasties, music and dance have gradually escaped the characteristics of the original clan dance and gradually transformed from primitive totem worship to praise for mankind’s conquest of nature. Into the feudal society, dance music has a greater development, court dance music is one of the representatives of dance music at this stage, of which the fastest development in the Tang and Song Dynasties. The inheritance, absorption, innovation and continuous breakthrough of the court dance of the Tang Dynasty are full of intrinsic vitality, full of styles, many categories and fine classification, which are unparalleled in ancient times. The independent song and dance system formed in the Song Dynasty is another peak of the development of Chinese court dance. The high degree of urbanization marks