论文部分内容阅读
康戈尔德初到好菜坞 在好莱坞电影音乐的黄金时代里有一位作曲家是不能不提及的,他就是康戈尔德(Ericch Wolfgang Kornlgold)。对于好莱坞来说,康戈尔德是第一位具有国际声望的职业作曲家参与了电影音乐的创作。他9岁就开始作曲,有“第二个莫扎特”的美名(为此他还在自己的名字中间加上了沃尔夫冈以表示对莫扎特的尊崇),不久他在维也纳崭露头角,有不少歌剧上演。他是理查·施特劳斯的学生,受到晚期浪漫主义的影响很深,被看作是理查·施特劳斯的接班人。然而,纳粹当政之后康戈尔德的日子便越来越难过了,1935年,他来到好莱坞开始为华纳兄弟公司作电影配乐,原先这只是权宜之计,不料电影配乐竟然成了他后半生的主要工作。1936年他因影片《忠勇之家》(Anthony Adverse)获得了奥斯卡奖,可谓一帆风顺。
Comingold Arrives in Good House Well, there’s a composer in the golden age of Hollywood film music that Ericch Wolfgang Kornlgold can not fail to mention. For Hollywood, Coming is the first professional composer with international prominence to participate in the creation of film music. He started to compose music when he was nine and had the nickname “the second Mozart” (for which he added Wolfgang in his own name to show respect for Mozart), and soon he came to the fore in Vienna, Little opera staged. He was a student of Richard Strauss, deeply influenced by late romanticism, and regarded as a successor to Richard Strauss. However, after the Nazi administration, Kang Golder’s day was more and more sad. In 1935, he came to Hollywood and began to make soundtracks for Warner Bros. Originally, this was only a stopgap measure. Unexpectedly, the soundtrack turned out to be his second half The main job. In 1936 he won the Academy Award for the movie “Anthony Adverse”.