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劳动力和产能过剩,廉价的农村土地资源和大量艺术工人,中国的现实国情为规模化生产提供了可能?新的生产模式是否当代艺术崇尚“观念性”所导致的?是否会使当代艺术流于表面化和符号性?
Labor and overcapacity, cheap rural land resources and a large number of art workers, the reality of China’s conditions for the possibility of large-scale production? Whether the new mode of production is advocated by contemporary art “concept ” will lead to contemporary art Flow in the surface and symbolic?