论文部分内容阅读
这个年月,总会不断有一些怪异的文化现象产生。好在多多少少经过了多元文化论的启蒙,中国观众已有了一点思想准备。他们开始懂得,不能容纳一点自己不甚习惯的怪异,也就不会有真正的多元。对于一切探索性的文化现象来说,过程往往比成果更值得玩味。广州话剧团今年3月底演出的《游园惊梦》,艺术成色如何,自可由多方评说:我感兴趣的,则是构建这一文化现象的一些有趣人物。也许,在我国今后的文化活动中,这样的人物还会不断出现。1 浪迹天涯的白先勇,比大多数中国文化人更早地领受到一种现代的沧桑感。这种沧桑感可析
This year and a year, there will always be some weird cultural phenomena. Fortunately, more or less after the enlightenment of multiculturalism, the Chinese audience has a little thought preparation. They begin to understand that they can not accommodate the weirdness that they are not accustomed to, and there will be no real diversity. For all exploratory cultural phenomena, the process is often more pragmatic than the result. Guangzhou Repertory Theater performed by the end of March this year, “Garden Dreams,” how fine the art, since many parties can comment: I am interested in, is to build some of the interesting figures of this cultural phenomenon. Perhaps, such characters will continue to appear in our future cultural activities. Bai Xianyong, a wandering end of the world, received a modern sense of vicissitude earlier than most Chinese people in culture. This vicissitudes can be analyzed