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形象是一种情感和思想的混合物,它以一个作家对他者的理解和想象置换了一个缺席的他者。在晚清危机四伏、动荡不安的年代,知识分子们有一种忧虑、惶惑、迷惘的末世情绪。小说《花月痕》中柳秋痕所采取的对现实的抗拒性姿态,是动荡年代男性欲望对娼妓想象的变形。
Image is a mixture of emotion and thought, which replaces an absent one with the understanding and imagination of the writer. During the crises and turmoil of the late Qing dynasty, the intellectuals had a kind of anxiety, bewilderment and perplexity. The gesture of resistance to reality adopted by Liu Qiu-han in the novel “Flower-Moon Scar” is a distortion of the imagination of the prostitute by the male desires during the turbulent years.