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丁寺钟的水彩画《宗教系列》创作于八十年代后期,是画家切入现代艺术生活并呈现独特个性的开山之作。 作品取材于九华佛教圣地,即问天地之门和生命之源,陈述对宗教情感的独特理解。其中《禅思》将肉身菩萨解构为点线和块面的交叉并列,已非自然物象的形态结构,而是渗透着作者炽热情感的纯粹意象。其立意,不在佛体的客观描摹,也非圣迹的叙事,而是以之为自己艺术精神和追求的自白。《烛火》为大块的红黄色调铺张整体画面,其中燃烧的,不是普通的香
Dingsi Bell’s watercolor “Religious Series” was created in the late 1980’s and is a pioneer in the artist’s artistic life and his unique personality. Works based on the Jiuhua Buddhist holy sites, that is, ask the door of the world and the source of life, a statement of religious sentiment unique understanding. Among them, Zen Buddhism deconstructed the bodhisattva into the juxtaposition of the point line and the block surface, which has been the unnatural form and structure of the object, but permeated the pure image of the author’s passionate emotion. Its conception, not an objective description of the Buddha body, nor the narrative of the holy track, but rather as their artistic spirit and pursuit of confession. “Candlelight” is a large piece of red and yellow color paved Zhang overall picture, which is burning, not ordinary incense