固定旋律的沿革与意义

来源 :中央音乐学院学报 | 被引量 : 0次 | 上传用户:phlok1985
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在现代语言习惯的用法中,固定旋律(Cantus firmus缩写为C·f·)通常是标志一个从世俗或教会音乐中借来的曲调,并且在新的音乐构思、创作中以它作为装饰变化的依据。固定旋律作为一个新构思的基础或核心,并不一定要与其曲调来源的作品协调一致,可以有自己独特的装饰改变。作为一个新构思基础的固定旋律,也不总是来源于以前已产生的作品,人们有时也运用象简洁的动机。上行或下行的音阶片断、六音音列(一种古希腊或中世纪的音阶形式),甚至布谷鸟叫等作为固定旋律。 In the usage of modern linguistic habits, the fixed melody (Cantonese firmus) is usually a symbol of a melody borrowed from secular or ecclesiastical music and is used as a decoration in new musical ideas and creations in accordance with. Fixed melody, as a foundation or core of a new idea, does not necessarily have to be coordinated with its tunes, and can have its own unique decorative changes. The fixed melody, which is the basis of a new idea, does not always come from works that have been produced before, but sometimes people also use simple motives. Up and down the scale of the scale, the six-tone column (an ancient Greek or medieval scale), and even the cuckoo call as a fixed melody.
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