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艺术家、绘画对象和“自然”之间的关系是相互依托的。艺术家在其作品中,通过内心思考传达到手上艺术最终将达到人类精神层面的高度。艺术家创作时将注意力集中在作品表面表现的同时,还要将其所要展现的思想内涵融入到作品中去,使其所创作的艺术品成为一种强有力的语言,使观者在思想上所感受的内容要远远超过视觉上的感受。艺术家对待创作对象时候抱着何种情绪,在艺术品上也是会有所体现,但是表面的激动,内在缺少绘画的规律,缺少情感的凝集。新鲜的感受是不够的,艺术品应该要成为安乐椅,慰藉人类的灵魂,从而上升到全人类的层面。
The relationship between artists, objects of painting and “nature ” is based on each other. In the works of artists, the art conveyed to the hands through inner thoughts eventually reaches the level of human spirit. While concentrating on the superficial expression of the works, the artists should incorporate the ideological connotation they want to present into the works so that the artworks they create become a powerful language that enables the viewer to think in terms of ideology The feelings of the content far more than the visual experience. The emotions the artist treats when he or she is creating an object may also be reflected in the artwork. However, the surface excitement inherently lacks the law of painting and lacks the agglomeration of emotion. Fresh feeling is not enough, art should be to be an easy chair, to comfort the soul of mankind, thus rising to the level of all mankind.