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《孔乙己》用的是第一人称写法。可是篇中的“我”是咸亨酒店的小伙计,并非鲁迅自己,咱们确切知道鲁迅幼年没当过酒店小伙计,这就可以提出个问题:鲁迅为什么要假托这个小伙计,让这个小伙计说孔乙己的故事呢? 大概鲁迅要用最简要的方法,把孔乙己活动的范围限制在酒店里,只从孔乙己到酒店喝酒这件事上表现孔乙己。那么,能在篇中充当“我”的惟有在场的人。在场的人有孔乙己,有掌柜,有其他酒客,都可以充当篇中的“我”,但是都不合鲁迅的需要,因为他们都是被观察被描写的对象。对于这些对象,须有一个观察他们的人。于是假托一个在场的小伙计,让他来说孔乙己的故事。小伙计说的只限于他在酒店里的所见所闻,可是,如果咱们仔细揣
“Kong Yiji” is the use of first-person wording. However, the article “I” is the Xianghu hotel guy, not Lu Xun himself, we know Lu Xun did not really had a hotel boy, it can raise a question: why Lu Xun fake care of this guy, let this guy say Kong Yiji's story? About Lu Xun should use the most simple way to limit the scope of Kong Yi-ji activities in the hotel, only from Kong Yiji to the hotel to drink on the performance of Kong Yiji. Well, the only people who can be “me” in the article. The presence of people have Kung, has a shopkeeper, there are other alcoholics, can serve as “I”, but do not meet the needs of Lu Xun, because they are all observed and described the object. For these objects, there must be one who looks at them. So pretend to be a kid, let him talk about the story of Kong Yiji. Little guy said that only what he saw in the hotel, but if we carefully guess