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翁同和,字声甫,号叔平,晚号松禅,江苏常熟人。咸丰状元。曾任同、光两朝帝师,官至协办大学士。他不仅是清末著名的政治家,而且是一位杰出的诗人、书画家。这里就他的书法略作介绍。清代前期的帝王大多写得一手好字,故对士子也要求有好的书法。‘苟不工书,虽有孔、墨之才,不能位列清显,况敢问卿相’?这样风气到了同光年间依然如故。翁同和出身仕宦之家,家中藏有大量的名人字画,仅‘汉魏六朝唐宋碑帖’就不下数百本之多。父亲翁心存、兄长翁同书、翁同爵均‘馀事工笔札’,在书法上有很高的修养,这些都直接影响了翁同和的书法学习。他从六岁起,就在父亲指导下学习仿格,‘其父课之甚严’。少年时代在常熟又同大书法家
Weng with the same words, just Fu, No. Shu Ping, late number Matsu Zen, Jiangsu Changshu people. Xianfeng champion. Served the same, the two dynasties Dili, official to co-host a bachelor. He is not only a famous politician in the late Qing Dynasty, but also an outstanding poet and calligrapher. Here’s a brief introduction of his calligraphy. Most of the emperors of the early Qing dynasty wrote good characters, so they also demanded good calligraphy from the scholars. ’Gou not work book, although the hole, ink of talent, can not be clear, dare to ask Qingxiang?’ This trend to the same light years still the same. Weng Tonghe originates official home, possession of a large number of celebrity home paintings, only the ’Han and Wei dynasties Tang and Song Dynasties inscription’ no less than hundreds. His father Wengxin, his elder brother Weng Tongshu, Weng Tongjue both have ’extra workmanship’ and have a good command of calligraphy. All of these have a direct impact on Weng Tonghe’s calligraphy learning. From the age of six, he studied imitation under the guidance of his father. Juvenile and Changshu calligraphers