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上月,据说耗资最为巨大的一次中国当代艺术家的个人展览——王广义艺术回顾展——“自在之物:乌托邦、波普与个人神学”在北京今日美术馆开幕。这位国际知名的中国艺术家属于过去几年艺术市场中最受瞩目的人物之一。收藏家和公众或许还记得他拍卖出数百万元高价的“大批判”系列——把国际品牌和革命宣传画组合起来的一系列融合了戏谑和批判意味的作品,但我感兴趣的是,这个展览前前后后的曲折透露出来的艺术家和中国社会的意识形态变迁的关系。
Last month, it was said that the solo exhibition of the most expensive Chinese contemporary artists, Wang Guangyi’s art retrospective, “The Things at Home: Utopia, Pop and Individual Theology,” was opened at Today Art Museum in Beijing. The internationally renowned Chinese artist belongs to one of the most watched characters in the art market over the past few years. Collectors and the general public may also recall that he auctioned out millions of dollars in high-priced “Great Criticism” series - a series of joke-and-critique pieces that combined international brands and revolutionary posters, but I was interested The twists and turns of this exhibition reveal the relationship between the artist and the ideological changes in Chinese society.