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没多久人们就发现,中国流行音乐的主题,已经转入了精致的流行主义——没有摇滚,没有批判,没有社会内涵,没有文化针对性。无论如何,我们都该为大陆新近出现的新女声喝彩。她们包括《花开不败》的姜昕、初试奇声的甄凌、维吾尔女子希莉娜依和稍前出现的、朦朦胧胧的马格。 新女声代表了近期流行乐中精华的部分——她们是有质量的,她们是有创意的,她们是招人爱的,她们是不迎合俗气的。她们带来
It did not take long for people to discover that the theme of Chinese pop music has been transformed into exquisite populism - no rock, no criticism, no social connotation and no cultural relevance. Anyway, we all should applaud the new female voice that has appeared on the mainland recently. They include Jiang Xin, who is “undefeated”, Zhenling, a whistle-blowing novel, and Uighur woman Helena Na and the hazy mag that appeared earlier. The new female voice represents the most recent part of pop music - they are quality, they are creative, they are lovable, they are not greedy tacky. They bring