论文部分内容阅读
艺术语言是一种心灵化的语言 ,它最自然地展现了主体心灵的自由。在艺术语言创造过程中 ,主体反映客体 ,并非理性的认知和评价 ,而是感性的体悟和描写。任何对象经过主体的以眼观物、以心感物、以情化物的全过程 ,都将形质尽变。这种变形的客体 ,是审美客体与审美主体双向变形的结果 ,是主体心灵化和审美化的显影。艺术语言的心物感应 ,是主体把审美直觉、审美体验、审美情感融注到客观物象中 ,使物象变形为审美对象的过程 ,在这个过程中 ,主体的心理活动、思维活动对心物感应具有指向作用 ,它所整合出的变形客体是蕴含着主体的审美比较、审美选择和审美评价的心灵之物 ,它是主体心灵世界的最自然、最真实的投射
Art language is a kind of spiritual language, it most naturally shows the freedom of the main body of the mind. In the process of art language creation, the subject reflects the object, not the rational cognition and evaluation, but the sensual comprehension and description. Any object through the main body of the eye, heart, to the whole process of material, will be the essence of change. The object of this deformation is the result of two-way deformation of the aesthetic object and the aesthetic object, and the development of the subject’s spiritualization and aestheticization. The mental feeling of art language is the process in which the subject melts the aesthetic intuition, the aesthetic experience, and the aesthetic emotion into the objective object and transforms the object into the aesthetic object. In this process, the psychological activity of the subject and the mental activity of the thinking activity It has the function of pointing, and the deformed object it incorporates is the most natural and realistic projection of the subject’s spiritual world, containing the subject’s aesthetic comparison, aesthetic choice and aesthetic evaluation