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山东地区的明清古琴文化遗存大致以济宁、济南、诸城三地较为丰富。明代济宁琴家张德润创作的琴曲《九还操》收录于清代重要琴谱《松风阁琴谱》中;《聊斋志异·局诈》篇与嘉祥琴台记载之间的联系,以及《扫红亭吟稿》对清代济宁琴家宋慎庵的记载,则反映出清代济宁地区古琴文化的繁荣。济南地区有明代隆庆年间殷士儋校刻的《思贤操》谱,收录于曲阜孔兴诱所辑的《琴苑心传全编》中;清初济南弹琴之风盛行,郑方琴派的重要谱本《友声社琴谱》可能为清初济南抄本。诸城地区在清初有马鲁、丁豸佳一系的外来传承,与诸城琴派的本地文化来源关系甚密。
Shandong Ming and Qing Dynasties, the ancient Qin cultural relics roughly Jining, Jinan, Zhucheng more abundant. The Ming Dynasty Jining Qin Zhang Derun creation of the melody “nine still manipulate” included in the Qing Dynasty important piano “Song Feng genre”; “Strange Strangers Bureau” articles and Jiaxiang Qin table records the link between the “ Sweeping Hongting Yin scriptures ”recorded in the Qing Dynasty Jining Qin Song Shen Nun, reflects the Qing Dynasty Jining area guqin culture prosperity. In Jinan area, the “Yinxian Fu” spectrum inscribed by Yin Shih-chi in the Longqing period of the Ming Dynasty is included in “The Complete Collection of the Qinyuan Xinxuan” edited by Kong Xingyu of Qufu; In the early Qing Dynasty, The book “Friends of the Sound Recitals” may be a copy of Jinan early Qing Dynasty. Zhucheng in the early Qing Dynasty, there are Maru, Ding Yi Jia a series of foreign heritage, and Zhucheng Qin local culture closely related sources.