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入冬,初见周春芽粉红样的新作,又见曾梵志繁乱的《安迪·沃霍尔》,就很想和他们通一个电话,说一下我心里的舒服及贺辞,只可惜我们从不相识,茫茫然没有那11个数字,末了,天涯终没有化作咫尺。好话没有说出去比坏话憋在肚子里还伤神。还好,在多情的黑暗下我多情地想起了中国的油画。恕我多嘴,中国的油画是不是到了该反思的时候了。反思之一,把大家摆弄得得心应手的样式——除了提供给商业机构赚银子以外,换个玩法,整点有意思的,来个第
In the winter, we see the new work of Zhou Chunya’s pink likeness. See also Zeng Fanzhi’s chaotic “Andy Warhol”, and I really wanted to talk to them about my comfort and congratulation message. Unfortunately, Do not know, the vast no that 11 numbers, the end, End of the World did not stop at hand. Good words did not say worse than bad words hold back in the stomach also hurt. Fortunately, I sentimentally remembered the paintings of China under passionate darkness. IMHO, China’s oil painting is not the time to reflect. One of the introspection, we all play handy style - in addition to providing commercial organizations to make money, another play, the whole point of interesting, to a