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在我国民族声乐传统中,历来就十分强调语言的清晰、准确、生动,并形成了一系列理论成果,为歌唱者解决咬字吐字存在的问题提供了有效的方法和途径。例如,运用“五音”方法演唱字头,运用“四呼”方法演唱介音运用“十三辙”方法演唱字尾等。我国古代民族声乐理论成就辉煌,但毕竟还存在着局限性。汉语拼音的普及,为歌唱中的正字提供了更有力的武器。汉语拼音以音位理论作支撑,从音素角度分解字音、标注字音,对字音的分析
In our tradition of national vocal music, we have always emphasized the language clearly, accurately and vividly, and have formed a series of theoretical achievements, which provide an effective method and means for singers to solve the existing problems of biting spell words. For example, use the “five tone ” method to sing the prefix, the use of “four call ” method to use the voice of the “13” method to sing the suffix. The ancient national vocal music theory brilliant achievements, but after all, there are still limitations. The popularization of Pinyin provides a more powerful weapon for orthography in singing. Hanyu pinyin to phonemes theory as a support, from the point of view of phonemes decomposition of pronunciation, marking pronunciation, the pronunciation of the analysis