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传统中国画作品中的道德功能在绘画发展的不同阶段有不同的表现方式。唐宋以前人物画高度发达,绘画作品中体现的道德教化功能,通过对典型形象的描绘直面社会,明确而清晰;山水画发展的早期,通过把云、水、树、石赋予人伦意义,体现画家的道德认知;宋元以后,文人画盛行,通过绘画作品实现道德自足的要求显著增强,以程式化和符号化的语言,在道德情感表现方面超越了自然物象。
The moral functions in traditional Chinese paintings have different ways of expression in different stages of the development of painting. Before the Tang and Song Dynasties, the figure paintings were highly developed. The moral education function embodied in the paintings reflected the society clearly and clearly through the portrayal of the typical image. In the early period of the development of landscape painting, After the Song and Yuan dynasties, the demand for literary self-sufficiency by painting increased significantly. In stylized and symbolic languages, the moral and emotional expression surpassed the natural images.