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几年来,我创作了一些作品,其画面形式大都给人一种人物较多、场景丰富、设色艳丽、浓彩重墨的视觉效果。我作画,不怕内容多,内容愈多画起来愈过瘾。也曾尝试创作内容简洁的作品,但总是画面处理欠佳,画起来也觉得不过瘾。比如说最初画骑马的人群,后来觉得不过瘾,于是就以骑马的人物为中影,加进近影与远影,骑马的人物在画中占较大位置,而景物占较小的画面,从视觉上看倒也自然地融合在一起。有同道说我的工笔画有些像寺庙内的壁画和西藏的唐卡画。我还真是喜欢寺庙里的壁画,也喜欢寺庙里的塑像,更喜欢唐卡画,并且从中吸收很多对我有营养的东西。我没有画过以宗教内容为题材的画,但宗教画的艺术形式我认为值得借鉴。我看美术作品,什么样的艺术形式都能接受,并且也看得津津乐道。其中有些
Over the past few years, I have created some works, most of which give people a form of images of more people, rich scenes, brightly colored, rich color ink visual effects. I paint, not afraid of more content, the more the more drawing more addictive. I have also tried to create simple works, but I always do not do well with pictures and I am not comfortable with painting. For example, the first group of people who painted horseback riding was later found to be of no interest. Therefore, riding on the characters and adding near-miss and far-shadow, the riding figures occupy a larger position in the painting. On the look down naturally blend together. Someone said that my painting is somewhat like the mural painting in the temple and the Thangka painting in Tibet. I really like the murals in the temple, I also like the statues in the temples, I prefer the Thangka painting, and absorb a lot of things that are nutritious to me. I have not painted a painting based on religious content, but I think it is worth learning from the artistic form of religious painting. I see art works, what kind of art forms can be accepted, and also relish relish. Some of them