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本文通过卡尔·马克思于《1844年经济学哲学手稿》中对感性一词的阐述,剖析出现代性艺术中的弊病(达达主义、行为艺术、观念艺术等等),并以此反思、指导当下我们的艺术活动。研究表明,对于艺术的感性活动应该建立在自我的实确证、社会的确证、自我本质力量的确证的基础之上。只有基于感性的无功利性与感性之自我本质力量的实现,审美作为在历史中的人的自我解放状态才得以可能,最终以“感性”为契机的艺术才能以人的自由为目的,予以实现。
This article analyzes the shortcomings of modern art (Dadaism, performance art, concept art, etc.) through Karl Marx’s exposition of sensibility in Manuscripts of Economics and Philosophy in 1844, and through this reflection and guidance The moment our art activities. The research shows that the perceptual activities of art should be based on the confirmation of self-actual evidence, social confirmation and self-actual force. Only based on the realization of the self-essential power of perceptual non-utilitarian and sentimental, the aesthetic as a state of human self-liberation in the history is possible. Finally, the artistic talent which takes “sensuality” as the turning point aims at the freedom of human beings, Be realized.