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在张艺谋以《归来》《山楂树之恋》将文革历史变成纯情/苦情戏时,《闯入者》显得姿态可嘉,虽然它也不得不借用了许多隐喻性的手法,但近距离挖掘当事人的历史记忆,并耗费心力营造当下现实质感,立意上有它的执念。若从故事上看:神秘电话勾起吕老太文革时为返城名额而举报朋友的记忆,悬疑氛围贯穿始终,家庭纠纷伴随其右,寻找神秘人的同时也伴随着历史真相的浮出水面。这些与迈克尔·哈内克的《隐藏摄像机》如出一辙:曾经在小时候说谎陷害家中阿
When Zhang Yimou transformed the history of the Cultural Revolution into an innocent / bitter scene with the return of the Hawthorn Tree Love, the “intruder” looked commendable. Although it also had to borrow a lot of metaphorical gestures, The party’s historical memory, and effort to create the current realistic texture, conception has its obsession. If the story from the point of view: the mysterious phone call Lv Laotai Cultural Revolution brought back to the city for quota while quoting friends of the memory, suspense atmosphere throughout, family disputes with its right, looking for the mysterious person also accompanied by the historical truth surfaced . These are exactly the same as those of Michael Hanech’s “Hidden Camera”: a child who was lying and framing at home