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对余光中《民歌》的欣赏,人们不太会注意到发起于1966年末的台湾“中华文化复兴运动”。余光中在《民歌》中抒发对民族文化精神强烈的认同感和传承这种民族文化精神的使命感,虽然不是那场政治运动的传声筒,但也无法摆脱这一特定的时代背景。解读台湾“中华文化复兴运动”这一背景,有助于我们更全面、更客观、更公正地解读余光中这首《民歌》的思想内涵。
Appreciation of Yu Guangzhong’s “folk song” is less likely to be noticed in Taiwan’s “Movement for the Rejuvenation of Chinese Culture”, which was launched in late 1966. Yu Guangzhong’s strong sense of identity to express his national cultural spirit in “folk songs” and his sense of mission to inherit this national cultural spirit, though not the soundtracks of the political movement, can not get rid of this particular historical background. Interpreting Taiwan’s “Movement for the Rejuvenation of Chinese Culture” helps us to interpret the ideological content of Yu Guangzhong’s “folk song” in a more comprehensive, objective and fair manner.