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一九二七年十一月二十五日,一位圆圆脸蛋、穿条黑丝绒裤子年方十一岁的小胖男孩耶胡迪·梅纽因,来到了纽约最著名的卡内基音乐厅。作为一位小提琴独奏家,他将和纽约交响乐团合作演出。当他走进后台独奏家休息室的时候,看见墙上悬挂着一柄硕大的消防斧头。于是他向看门人问道:“这是干什么用的?”“这是用来斩下那些演奏得不好的独奏家的头的。”“那末,你曾经斩下过几颗头呢?”“哦!还好,不多几个!”看门人眨了眨眼睛说。那天晚上听众席里倒是确有一班卫道之士,准备亲眼看见小梅纽因的头滚下来。而站在这班人中最前列的,就是音乐评论家们。因为这个小毛孩
On November 25, 1927, a young boy with a round face and wearing black velvet pants aged 11, Yehudi Menuhin, came to New York’s most famous Carnegie Concert hall. As a violin soloist, he will perform with the New York Symphony Orchestra. When he walked into the backstage soloist’s lounge, saw a huge fire ax hanging on the wall. So he asked the janitor, “What is the use of this?” “It was used to cut off the heads of those soloists who did not play well.” “How many heads have you cut?” “Oh! Fortunately, not many!” The janitor blinked. That night there was indeed a defender in the auditorium, ready to see with his own eyes the head of Little Timothy rolled down. And standing in the forefront of this group of people, that is, music critics. Because of this little baby