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在西方画坛,格列柯是个饱受争议的人物——西班牙称他为画圣、巨匠,而油画的发源地荷兰和大师林立的意大利却不买账,尤其是意大利人,他们甚至认为格列柯的绘画水平还不如佛罗伦萨一个技艺平庸的画师。意大利人说得在理,总体而言,格列柯的绘画特别是圣像作品,人物形象大都呈现出一种“长颏脸、细高挑”的模式化外观,主次人物的摆布也显得过于疏离,与正统的古典绘画相比缺少艺术震撼力。但是没人想到,格列柯去世三百多年后,他作品中的这些“短处”竟然遇到了知音,不按常理出牌的“印象派”、
In the Western art scene, Greco was a controversial figure - Spain called him a painting of the holy great master, and the birthplace of the Netherlands and the Netherlands, the home of oil paintings, but Italy does not buy it, especially the Italians, who even consider Greco The level of painting is not as good as a mediocre painter in Florence. In general, the works of Greco’s paintings, especially the images of the holy images, mostly show a stylized appearance of “long-chin, tall and thin,” with the appearance of the primary and secondary characters Appear too alienated, lacking the artistic power of shock compared to the orthodox classical paintings. However, no one thought that after these three hundred years of Greco’s death, these “shortcomings ” in his work unexpectedly met the “Impressionism ”,