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俄裔美籍小说家,弗拉基米尔,纳博科夫的创作深受俄国形式主义理论影响,他在其代表作《洛丽塔》中大量运用了陌生化技巧。但目前国内对于《洛丽塔》译本在陌生化方面的研究较少,且都局限于这一技巧的可译性层面,没有涉及译作中存在的许多不可译之处,无益于《洛丽塔》整体艺术风格的展现。因此,本文将从不可译视角出发,浅析于晓丹译本中由于语言或文化差异而导致的原作陌生化手法的不可译之处。
Russian Russian novelist, Vladimir, Nabokov’s creation deeply influenced by Russian formalism theory, he made a lot of use of defamiliarization skills in his masterpiece “Lolita.” However, there are few studies on defamiliarization of the translation of Lolita in the country, and it is confined to the translatability level of this technique. It does not deal with many untranslatability points in translation, "The overall artistic style of the show. Therefore, this article will analyze the untranslatability of Yu Xiaodan’s translation of defamiliarization of the original works due to language or cultural differences from the perspective of translation.