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《续琵琶》于2014年1月在香港首演,为岭南大学艺术节揭开序幕。北方昆曲剧院以精选其中五出折子戏的方式演出,主要演蔡文姬为修史忍辱负重,由此我们可以认识到曹寅的创作意旨及历史观。从历史剧的发展看,《续琵琶》处于反思历史剧为潮流的时代,它打破以生角扮演历史英雄人物,歌颂王昭君、蔡文姬两位忍辱负重、成就国家大义的女英雄。结合曹寅的身世背景来看,他创作此剧可以说是遗民心结下的精神寄托。而文姬为修史的奋斗、昭君托梦的风俗教化,都是全剧的生命力。五出整合起来的结构相当严密,主脑清晰可见,情节曲折起伏,插科打诨的妙笔生花,使场面调剂配合得宜,单出内动静气氛节奏恰到好处。
“Continued Pipa” premiered in Hong Kong in January 2014 and kicked off for Lingnan University Arts Festival. North Kunqu Opera Theater to choose one of the five excerpts show the way, the main performance of Cai Wenji as a history of humiliation, we can recognize Cao Yin’s creative purposes and the concept of history. Judging from the development of historical drama, “continued pipa” is in an age of retrospecting the historical drama as the tide. It breaks the historical heroes who use the corner of life to sing, praises Wang Zhaojun and Cai Wenji, two female heroes who took a bite of bullying and made great contributions to the country. With Cao Yin’s life background, he can create this drama can be said to be the spiritual sustenance of the minds of the people. The Wenji for the history of struggles, Zhaojun Dream custom culture, are all the vitality of the drama. Five out of the structure is very closely integrated, the main brain is clearly visible, the plot twists and turns, Gagaku wonderful pen flower, so that the scene can be adjusted with the appropriate, single out the dynamic atmosphere just right.